{"title":"Spooky Books","description":null,"products":[{"product_id":"local-story","title":"Local Story: The Massie-Kahahawai Case and the Culture of History","description":"\u003cp\u003eJohn P. Rosa\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover. 163 pp.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Massie-Kahahawai case of 1931–1932 shook the Territory of Hawai‘i to its very core. Thalia Massie, a young Navy wife, alleged that she had been kidnapped and raped by “some Hawaiian boys” in Waikīkī. A few days later, five young men stood accused of her rape. Mishandling of evidence and contradictory testimony led to a mistrial, but before a second trial could be convened, one of the accused, Horace Ida, was kidnapped and beaten by a group of Navy men and a second, Joseph Kahahawai, lay dead from a gunshot wound. Thalia’s husband, Thomas Massie; her mother, Grace Fortescue; and two Navy men were convicted of the lesser charge of manslaughter, despite witnesses who saw them kidnap Kahahawai and the later discovery of his body in Massie’s car. Under pressure from Congress and the Navy, territorial governor Lawrence McCully Judd commuted their sentences. After spending only an hour in the governor’s office at ‘Iolani Palace, the four were set free.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLocal Story is a close examination of how Native Hawaiians, Asian immigrants, and others responded to challenges posed by the military and federal government during the case’s investigation and aftermath. In addition to providing a concise account of events as they unfolded, the book shows how this historical narrative has been told and retold in later decades to affirm a local identity among descendants of working-class Native Hawaiians, Asians, and others―in fact, this understanding of the term “local” in the islands dates from the Massie-Kahahawai case. It looks at the racial and sexual tensions in pre–World War II Hawai‘i that kept local men and white women apart and at the uneasy relationship between federal and military officials and territorial administrators. 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Mina Beckwith, currently an out-of-work journalist, and Ned Manusia, an accomplished playwright who sometimes serves the British government in behind-the-scenes operations, find themselves unraveling a deadly web of espionage and murder. As the story opens, Ned is in Japanese occupied Shanghai, where he has been sent to rescue his friend Nigel, a British spy who is being ruthlessly hunted by the Japanese police. Ned brings Nigel (and Nigel’s new wife) to Honolulu and discovers that Mina is embroiled with a group of eccentric artists whose numbers are being depleted in a series of dramatically staged murders. While Mina and her brother-in-law, Todd Forest, Chief of Detectives at the Honolulu Police Department, look into the murders of the artists, the Office of Naval Intelligence recruits Ned and Nigel to ferret out a spy sending reports on the activities of the Navy at Pearl Harbor to the Japanese government. 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Nearly 200 years ago, when a catastrophic flood submerged the Hawaiian islands and unleashed magic into the world, these clans forged a treaty with the city, establishing a new Hawaiian homeland. But that treaty is about to expire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKea struggles to keep her small clan afloat, scraping together rent each month through odd jobs and selling her own crafted Hawaiian language spells. While her talent for language magic is her saving grace, she feels like a shadow of those who came before her. Just when she thinks things can’t get any more complicated, the murder of Angelo Reyes—LA’s most prominent Filipino activist—turns her world upside-down.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAngelo was killed by a death spell—something that, due to the properties of each school of language magic, can only exist in Hawaiian. 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